作为一名导游，常常需要准备导游词，导游词事实上是一种对旅游景点进行历史的、文化的、审美的'解读的文体。那要怎么写好导游词呢？下面是小编帮大家整理的英语导游词（通用3篇），仅供参考，希望能够帮助到大家。
英语导游词1
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.
No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.
英语导游词2
ladies and gentlemen,
we are now entering the inner court. from the gate of heavenly purity northward lies the inner court where the emperors and empresses once lived .the hall of heavenly purity is the central hall of the inner court ,and was completed during the reign of emperor yongle of the ming dynasty. there are 10 pillars supporting the entire structure and the hall is 20 meters in height .in the center of the hall there a throne. above it hangs a plaque with an inscription that reads “be open and above-board,” written by shenzhi,the first emperor of the qing dynasty. beginning with qianlong` s reign, the name of the successor to the throne was not publicly announced .instead, it was written on two pieces of paper, one to be kept on the emperor` s person throughout his reign, and the other placed in a small strongbox that was stored behind his plaque. the box was opened only after the emperor passed away. altogether there where 4 emperors who ascended the throne in this way, namely qianlong, jiaqing, daohuang and xian feng.
the hall of heavenly purity was where the emperors lived during the ming and qing dynasties. according to tradition ,extravagant annual banquets were held here on new year` s eve in honour of royal family members. foreign ambassadors were received here during the late-qing period. two important “one thousand old men` s feasts” of the qing dynasty were also held here. all the invitees had to be at least 65 years of age.
this hall was also used for mourning services.
(inside the palace of union and peace)
this hall sits between the hall of heavenly purity and the palace of earthly tranquility, symbolizing the union of heaven and earth ,as well as national peace .it was first built in 1420 and reconstructed in 1798. the hall is square in shape ,and is smaller than the hall of complete harmony .you will see a plaque here inscribed with two chinese characters, wu wei, which were handwritten by emperor qianglong. a throne sits in the middle of the hall with a screen behind it .above the throne there hangs a caisson ,or covered ceiling. the emperor held birthday celebrations and other major events here.
in 1748 during emperor qianlong` s reign, 25 jade seals representing imperial authority were kept in this hall .no seals were allowed out of the room without the prior consent of the emperor. on each flack there is a water clock and a chiming clock.
(inside the palace of earthly tranquility)
this used to be the central hall where successive ming empresses lived. during the qing dynasty, it was converted into a place where sacrifices and wedding ceremonies were held .the room on the western side was used for sacrifices and the room on the east was the seeding chamber.
英语导游词3
Ladies and Gentlemen,
Welcome to the temple of Heaven. (After self-introduction) preserved cultural heritages of China. There are basically two kinds of visitors who come here: local pensioners who do exercises here in the morning and evening and sightseers both from home and abroad. All in all ,there are 12 million visitors very year. Now we are going to go along the route that leads to the alter. It will take roughly one hour. Mind you ,the emperor also walked along this route to pay tribute to the God of Heaven.
(Along the Southern Sacred Road leading to the Circular Mound Altar)
The largest group of architectures ever to be dedicated to Heaven ,the Temple of Heaven served as an exclusive altar for Chinese monarchs during the Ming and Qing dynasties. It was decreed that rulers of successive dynasties would place altars in their own capitals to worship Heaven and pray for good harvest. But why ?
The ancient Chinese believed that Heaven was the supreme ruler of the universe and the fate of mankind ,and thus worshiping rites dedicated to Heaven came into being.
The Heaven the ancient Chinese referred to was actually the Universe, or nature. In those days, there were specfic rites of worship. This was especially true during the Ming and Qing dynasties when elaborate ceremonies were held.
The Temple of Heaven was built in 1420 during the reign of Emperor Youngle of the Ming Dynasty. Situated in the southern part of the city ,this grand set of structures covers an area of 273 hectares. To better symbolize heaven and earth ,the northern part of the Temple is circular while the southern part is square .The whole compound is enclosed by two walls, a square wall outside a round one. The outer area is characterized by suburban scenery, while the inner part is used for sacrifices. The inner enclosure consists of the Hall of Prayer for Good Harvest and the Circular Mound Altar.
(Along the Imperial Passage leading from the Southern Lattice Star Gate in front of the Circular Mound Altar)
the Circular Mound Altar is enclosed by two walls ,each containing four groups of Southern Lattice Star Gate, each in turn consisting of three doors, with 24 marble doors altogether. Standing on the passage facing north, you will notice that with each pair of doors on is narrower than the other. This reflects the feudal hierarchy: the wider door was reserved for monarchs, while the narrower one was used by courtiers.
On the day of the ceremony ,the emperor would don his ritual costume and be ushered in by the official in charge of religious affairs. He ascended the three terraces in the forefront to pay tribute at the alter.
(Atop the Circular Mound Alter)
we are now on the top terrace of the Altar, or the third terrace .Each terrace has a flight of 9 steps. At the center of this terrace lies a round stone surrounded by 9 steps.
At the center of this terrace lies a round stone surrounded by 9 concentric rings of stone. The number of stones in the first ring is 9, in the second ,18, up to 81 in the 9th ring. Even the number of carved balustrades on these terraces is a multiplee of 9. But why?
According to ancient Chinese philosophy, yin and yang were two opposing factors. Heaven and the odd numbers belonged to yang while the Earth and even numbers belonged to yin. Nine was the largest heavenly number accessible to man . What is more, the ancient people also believed that heaven consisted of nine layers and that the emperor` s abode was on the uppermost tier.
Once more look at the round stone in the center. The upper terrace is nine zhang (a Chinese unit of length, one zhang equals 3.3 meters ) in circumference ,while the middle is 15 zhang, the lower, 21 zhang.
Classified as yang numbers, the sum of these numerals is 45 zhang which was meant to symbolized success. What is more, by applying the concept of odd numbers and strengthening nine and its multiples, the concept of heaven was thus illustrated and realized . The concept of nine will also be mentioned when we visit some other buildings.
Now I will give you a brief account of what happened here annually on the Inter Solstice. The memorial tablet dedicated to Heaven would be set up on the north side of the terrace, while tablets dedicated to the emperor `s ancestors would be enshrined on the flanks. The service would begin around 4 o` clock in the morning. All of the lanterns would be lit .
In the foreground, a sacrificial calf is being barbecued. On the square in front of the altar, the emperor, under heavy escort of nearly a thousand courtiers, princes of royal blood ,musicians, dancers and uniformed soldiers, would slowly ascend the altar to offer sacrifice and pray in honor of Heaven. When the service drew to a close ,the sacrifice offered in front of the memorial tablets would be incinerated .
All of participants would watch the thick smoke rise upward as if they were seeing God off .
Music and dancing would follow .In the end ,the emperor would return to the Forbidden City secure in the belief that he would be blessed and protected by Heaven until the next winter Solstice.
It is interesting to note that ,the stone in the very middle of the altar was of major importance ,since it was where the emperor used to stand to say his prayer. The stone ,which is known as the God`s heart Stone, is peculiar in that it is characterized by a specific acoustic phenomenon: it made the emperor` s voice clearer and louder, thus adding to the mystic atmosphere of the service .You can try this out by yourself. (Proceed northward to pass through the Lattice StarGate)
(In front of the Gate of glazed tiles)
this structure is known as Heaven` s Storehouse. It is entered through the Gate of glazed Tiles. The roofing ,beams, and brackets are all made of glazed tiles or bricks. This is the only structure of its kind in china today .
the Heaven` s Storehouse was where memorial tablets dedicated to the gods were kept. Douglas Hurd, a former British foreigh secretary ,once said , “God attends to His affairs on the Cir4cular Mound Altar but stays here. ” Now let` s go in to to see it (Go through the left side door)
(In the courtyard of Heaven` s Storehouse)
this is the Imperial Vault of Heaven, the main structure of Heaven` s Storehouse. It was built in 1530 and is 17 meters in height and 19 meters in diameter. The structure feature blue roofs topped by a gilded ball ,and carved wooden doors and windows. It is decorated with colored paintings. Founded on a 3-meter-hign round marble terrace ,the building also features a gigantic carved marble ramp laid in the stone staircase leading up to the front entrance.. The ramp is carved in “Two dragons Playing with a pearl ” design in relief. We will enter the main hall by going up the stone staircase on the eastern side.
(On the marble terrace of the main hall)
the arch of the hall is buttressed by 16 giant pillars on two rings. On top of the pillars there are gilt brackets supporting a circular caisson ,or covered ceiling .The ceiling is characterized by a golden coiling dragon design. The 8 pillar of the inner ring are painted scarlet and decorated with golden lotuses.
To the north of the hall there is a marble pedestal. Atop it ,up a wooden flight of 9 steps, is where the major tablet dedicate to Heaven was enshrined. On each flank four tablets are enshrined in honor of the ancestors of the Qing emperors. In the annex hall in hornor of the ancestors of the Qing emperors. In the annex halls in the courtyard, there are tablets dedicated to the deities of the sun, moon ,constellation, cloud ,rain, wind and thunder.
(Echo Wall and Triple –sound Stones)
Aside from exquisitely laid out architectures, Heaven` s Storehouse is also famous for two structures with peculiar acoustic features, i. E. the Echo Wall and the Triple- Sound Stone.
A mere whisper at any point close to the wall can be heard clearly on the other side, although the parties may be 40 or 50 meters apart. This is possible because the wall is round and hermetically constructed with smooth ,solid bricks.
In front of the steps leading away from the halls is the Triple Sound Stone. If you stand on the first stone and call out or clap your hands, the sound will echo once; on the second stone, the sound will be heard twice; and on the third stone, the sound will repeat three times. Hence the name. (Go out through the right door and stroll along the circular path northward)
(Nine-Dragon Cypress)
the Temple of Heaven is also famous for its cypress trees-there are more than 60,000 cypress trees in all ,among which over 4,000 are more than one hundred years old ,adding to the solemn atmosphere of the temple .This tall cypress was planted more than 500 years ago. Its thick branches and twisting trunk resembling nine coiling playful dragons; thus it is known as the Nine-Dragon cypress. It is said that this tree was here to welcome the monarchs. Now it is here to welcome visitor from all over the world.
(In the south of Chengzhen Gate)
now we are back again on the Central Axis. This brick-arched gate is known as Chengzhen (Adopting Fidelity) .This gate is the northern gate of the Circular Mound Altar and the Hall of Prayer for Good Harvest. The Hall of Prayer for Good Harvest is situated at the extreme end of the axis. It was used by the emperor in the first month of every lunar year for services dedicated to good harvest.
(On the Red Stairway Bridge)
entering the Hall of Prayer for Good Harvest, we set foot on a raised passage 360 meters long, which the emperor also took to proceed to the hall. This broad north-south walkway, called Danbiqiao (Red Stairway bridge), connects the two sets of main building in the Temple of Heaven and constitutes a single axis.
The passage is divided into left, control and right paths by the cross arrangement of slabs. The central and the widest path is known as Heavenly Thoroughfare , which was reserved exclusively for God; nobody, including the emperor, was allowed to set foot onto it .
The emperor used the path on the east ,which is known as the Imperial Walk. The ministers and princes used the one on the west .Interesting enough ,there is no walkway left for ordinary people. This is because the Temple of Heaven used to be off-limits to them.
Contrary to appearances, this walkway is not a bridge at all . But how so ? This road is 4 meters above the ground and there is a cavern underneath that was reserved for sacrificial oxen and sheep. The cattle were slaughtered at a slaughterhouse about 500 meters away and brought here for sacrifice. All in all ,it can be said this walkway did serve as bridge and can be looked upon as the first cloverleaf in Beijing.
Looking back at the thoroughfare, you may realize that this walk is gaining height toward its northern end. As people approach the architectural group of the Hall of Prayer for good Harvest, the flanking groves of cypress recede and perspective widens. Here you are in Heaven.
(Costume-Changing Terrace)
the marble terrace up ahead is called jufutai, or CostumeChanging Terrace. It is located to the east of the Red Stairway Bridge and covers a space of 25 square meters .
IT has marble Slab balustrades. The day before the service ,officials in charge would put up a yellow satin tent on the terrace for the emperor to change out of his yellow dragon robe into blue ceremonial clothes. After the service, the emperor would return to the tentand change back into his imperial robe before returning to the palace. (Proceed to the South Gate of the Hall of Prayer for Good Harvest)
(At the Gate of Prayer for Good Harvest)
this structure is called the Gate of Pray for Good Harvest. We can catch a slight glimpse of the central building ,the Hall of Prayer for Good harvest, though the colonnade of the Gate.
A gigantic and lofty group of buildings, the complex includes the Gate of Prayer for Good Harvest, the hall of prayer for good harvest, eastern and western annex halls ,the Huanqian (Imperial heaven) Long corridor, Heaven Kitchen, slaughterhouse, etc.
the annex halls were symmetrically built on a 1.5-meter-hignbrick-and-marble terrace ,to set off the loftiness and magnificence of the main hall .This unique building ,38 meters in height, is characterized by a cone-shaped structure with triple eaves and a top that is crowned by a gilt ball.
The roofing is made of blue glazed tiles, the color of the sky .Underneath the roof, the beams and bracket are decorated with colored paintings. The base of the structure is a triple-tiered, circular marble terrace. At a distance, the terrace looks like a gigantic, spiraling cloud with the structure perched on top of it .
Today the hall of prayer for good harvest is the hallmark of Beijing, which enjoys a prolonged history of civilization.
(At the base of the Hall of Prayer for Good Harvest)
The base of the hall is a triple-tiered, circular marble terrace, which is 90 meters in diameter and 6 meters in height ,covering a space of 4,000 square meters.
Meticulous accuracy was given to the layout of the structure. In the middle of each three-tiered flight of stairs, there is a giant marble ramp carved in cloud, dragon and phoenix designs. To set off the ramps, the top of the balustrades and downpipes are designed with corresponding floral scrolls.
In southern part of each tier, a gigantic bronze incense burner is placed. Sandalwood was burnt in them when rites were observed.
(In front of the hall of Prayer for good harvest)
climbing up this marble terrace, we see the main hall ,a masterpiece of ancient China. Looking up you will see the caisson, or covered ceiling, characterized by complex designs of dragons and phoenixes. In and out , the hall is decorated with colored drawing of dragons and phoenixes.
Without the use of steel ,cement and nail, and even without the use of big beams and crossbeams, the entire structure is supported by 28 massive wooden pillars and number of bars, laths, joints and rafters.
The four central pillars, called the dragon-Well Pillars, are 19.2 meters high and painted with designs of composite followers, representing the four season. There are two rings of 12 scarlet pillars each. The inner ring represents the 12 months and the outer rings the 12 divisions of the day and night .
Between the two rings there are 24 partitioned spaces to mark the solar terms of the Chinese lunar year. The pillars, 28 in number, also represent the 28 constellations in the universe- the ancient Chinese believed that there were 28 constellations that made up the sky.
The center of the stone-paved floor is a round marble slab, which is 88.5 centimeters in diameter. Interestingly, the slab features natural black and white veins, corresponding to the dragon-phoenix design on the ceiling. This particular slab is known as the Dragon-phoenix stone and is regarded as a treasure inseparable from the hall.
The furnishings within the hall are placed in their original positions dating back to when Emperor Xianfeng ruled .In the forefront and above the throne are enshrined tablets in commemoration of Heaven. On either table on each side tablets of the emperor` s ancestors were placed.
Each tablet is fronted by an altar. A total of 24 kinds of offering were made on it ,including soup, wine, assorted cereals, and a calf.
The sacrificial rites were observed in the wee hours of the morning, sometime in the first month of the Chinese lunar year. Because it was still dark, candles, lanterns and torches were lit. This lighting coupled with the incense being burnt inside the hall ,helped make the ceremony both grand and mystical.
By the time the service began,207 musicians and dancers would be performing on platforms outside the hall. The emperor, in his blue sacrificial robe and with an air of piety and sincerity, would walk slowly into the hall, kowtow, and offer wine and prayer in hornor of the deities and his ancestors.
All of the offerings would then be taken to incinerators on the eastern side of the gate of prayer for Good Harvest. With this we conclude our visit to the Temper of Heaven. The feudal monarchs and their sacrificial rites have long vanished in history .
However, this group of magnificent and lofty structures remain as a fine testament of the ancient Chinese` s ingenuity and as one of the cultural heritages of mankind.
(On the Long Corridor)
From the Eastern Gate of the hall of prayer for good harvest, we have now enter a 300-meter-long corridor. Consisting of 72 sections, this corridor served as a connecting building between the Slaughterhouse. Heaven Kitchen, and the main hall ,It is said that this once served as a sacrificial food production line. Flanking the corridor are shopping stalls. You may find some souvenirs for your family and friend there.
Well ,that is all for this tour. Thank you for your attention. I look forward to your next visit. Good luck and bon voyage.
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